Atelier of Healing: Poetry About Trauma & Recovery

Boutique Squircle Line Press, in an online anthology launched during the 2021 Poetry Festival Singapore, asks “What kind of personal suffering have you endured and weathered? If one were to navigate such trauma, what are some of the coping mechanisms? How, then, will you render your personal experience into lyric and narrative, to transform the pain into something of profound beauty?”
Edited by Eric F. Tinsay Valles & Desmond F.X. Kon ZC-MD
Wild Gods: The Ecstatic in Contemporary Poetry and Prose

ISBN: 978-0-898234-04-6
“Though ‘ecstatic’ is often used as a synonym for ‘joy,’ our application of the term embodies the entire emotional palette […] Profound grief or outrage can access the ecstatic—as can experiences of extreme pleasure, pain, and wonder. It can explore the profane as much as the sacred and is often an expression of both.”
Edited by Joel Peckham & Robert Vivian
The World I Leave You

ISBN: 978-1-949039-05-4
“The first anthology of its kind, The World I Leave You: Asian American Poets on Faith and Spirit spotlights poets of Asian descent, representing many cultures and religious traditions, including Islam, Hinduism, Christianity, Buddhism, and Zoroastrianism. Among these poets are active religious practitioners, recent converts, and those who do not follow a religious tradition but practice a personal devotion in the negative space of the unknown.”
Edited by Leah Silvieus & Lee Herrick
New Poetry from the Midwest 2019

ISBN: 978-1-941561-20-1
Featuring “the flourishing crop of Midwestern writers who consistently produce work that is innovative, finely crafted, and strong in voice and the ability to connect. The series seeks to explode the generally accepted notions of what the Midwest is and what Midwestern writing is, while honoring its rich and long-standing histories.”
Edited by Hannah Stephenson & Rita Mae Reese
The Allure of Grammar: The Glamour of Angie Estes’s Poetry

ISBN: 978-0472037-37-7
“In The Allure of Grammar, Doug Rutledge gathers insightful responses to the full range of Estes’s work—from a review of her first chapbook to a reading of two poems appearing in her 2018 book, Parole—that approach these beautiful verbal objects with both intellectual rigor and genuine awe. […] An interview with Estes herself, in which she speaks of a poem as an ‘arranged place…where experience happens,’ adds her perspective to the mix, at turns resonating with and challenging her critics.”
Edited by Doug Rutledge